9mm is a video game in the action genre developed by Gameloft Bulgaria EOOD and published by Gameloft S.A. originally released in 2011. It is currently playable on Mac.
9mm is a third-person action shooter centered on John “Loose” Kannon, a hard-edged police officer leading an elite urban task force. After a raid against a powerful drug gang ends in the death of a fellow officer, Kannon pursues the criminals through the violent underside of a contemporary American city. The campaign moves through warehouses, alleys, nightclubs, apartments, construction sites, and fortified gang compounds, presenting a crime-thriller atmosphere of corruption, revenge, and escalating street warfare.
Combat is built around cover, close-range gunplay, and carefully timed bursts of slow motion. Kannon carries a selection of pistols, submachine guns, shotguns, assault rifles, and heavier weapons, with each firearm offering a different balance of accuracy, rate of fire, stopping power, and ammunition capacity. Enemies attack from behind vehicles, counters, doorways, and other pieces of cover, requiring the player to advance cautiously rather than simply charge through every encounter. Explosive objects and environmental hazards can be used to break defensive positions, while accurate shooting allows weapons and surroundings to do much of the work.
The signature feature is the bullet-time system, which briefly slows the action and gives Kannon an opportunity to line up several shots in rapid succession. It can be used to clear a room, interrupt an enemy assault, or turn an ambush in the player’s favor. Certain sequences emphasize dramatic kills, including shots that send opponents crashing through windows or tumbling from elevated walkways. Outside firefights, the game includes driving sections in which Kannon pursues suspects through traffic, along with short investigative and movement sequences that connect its major shootouts. Progress is divided into missions with clear objectives, from eliminating gang members and rescuing informants to escaping heavily defended locations.
The visual presentation uses a dark, gritty palette dominated by concrete gray, dirty amber, neon signage, and harsh industrial lighting. Character models and environments are detailed to support the game’s grounded crime setting, while muzzle flashes, explosions, shattered glass, and slow-motion impacts give firefights a pronounced cinematic quality. The soundtrack combines tense orchestral scoring with hard-edged urban rhythms, and weapons are given sharp reports designed to distinguish pistols, automatic firearms, and shotguns in the middle of combat. On the Mac, keyboard and mouse controls provide direct aiming and movement, with configurable bindings supporting the game’s cover, weapon-switching, and slow-motion commands. The result is a fast, aggressive campaign that places the player in a succession of dangerous confrontations where positioning, ammunition, and timing are as important as firepower.
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