Games developed by Digital Artworx
We provide a list of companies that developed abandonware games.
Select a company to view its games.
To make searching easier, use pagination by number or letter.
Mission Pom-Bär: The Snack'N Run Game
Mission Pom-Bär: The Snack'N Run Game is a DOS action-platformer released in 1997. Players assume the role of Pom-Bär, a jaunty bear mascot tasked with reclaiming crates of snacks stolen from the Snack Network by a scheming rival outfit. The mission unfolds across a sequence of levels linked to the sprawling Mega Snack Factory and its surroundings, from neon-lit loading docks and steam-filled production halls to wind-swept rooftops and a whimsical garden maze. Visuals favor bold, cartoon-like character design and expressive animations that keep the tempo buoyant and intentionally lighthearted.
Gameplay centers on fast-paced run-and-jump action. The hero navigates side-scrolling stages by running, leaping, and delivering a short, sprinting dash to cross wide gaps or break fragile barriers. The primary objective is to collect Snack Crates and assorted coins while avoiding a cadre of hazards and roaming adversaries. Crates grant points and power effects, such as a temporary speed boost or a brief invulnerability shield. Levels are peppered with hidden routes, breakable blocks, and occasional puzzle elements that reward exploration with bonus prizes and alternate endings.
Obstacles emphasize tempo and precision. Moving platforms, conveyor belts, crushing presses, rolling barrels, and electrified barriers require careful timing and spatial awareness. Contact with enemies or hazards drains a small health meter, and a limited number of lives replenishes at safe zones or with special items. Along the way, players encounter locked doors and reward tiles that unlock bonus stages or grant micro-challenges. The level design encourages chaining skillful jumps with item collecting to maximize a score-driven progression.
Visual style presents crisp 2D sprite work atop VGA-era backdrops. The palette remains bright and saturated, with distinct regions that read clearly at a glance. Parallax scrolling adds depth to factory interiors and outdoor scenes, while character animations emphasize exaggerated poses for jumps, spins, and snack-snatching antics. The heads-up display keeps track of score, collected snacks, remaining lives, and a subtle timer that nudges players toward efficient routing. The overall presentation favors clarity, readability, and a momentum-preserving rhythm suited to extended play sessions.
Audio consists of a punchy, arcade-inflected midi soundtrack that shifts with action intensity. Jump and landing sounds have satisfying snaps, while collecting crates triggers noticeable audio cues to reinforce progress. The game supports a range of PC audio hardware common to the era, including Sound Blaster, AdLib/FM devices, and Gravis UltraSound, with music and effects designed to maintain energy through chase sequences and boss encounters. Player experience is framed by a steady progression of challenge and reward, inviting careful practice, map exploration, and repeated run-throughs to master routes, timing windows, and hidden shortcuts.
