Games developed by NanZarts L.L.C.
We provide a list of companies that developed abandonware games.
Select a company to view its games.
To make searching easier, use pagination by number or letter.
Invaders 95
Invaders 95 places the player in a techno-futurist landscape of terminals, grid corridors, and pulsing network nodes, where waves of hostile “invaders” breach secure channels. Progress is structured as a series of combat rounds carried out from a fixed battlefield perspective, with the screen acting like a monitoring console as targets surge across the system. Each stage escalates the pressure through faster enemy movement patterns and denser formations, pushing the player to maintain control under rapidly changing threats.
Gameplay centers on piloting a compact combat unit and firing oncoming enemies while maneuvering to avoid direct contact and projectile fire. The player’s ship can move in the available play area and deploy attacks continuously, with timing and positioning playing a key role when multiple groups overlap. Enemy units vary in behavior, requiring different priorities: some press forward aggressively, while others open long lines of fire or attempt to block movement paths. Between waves, the action cadence shifts toward short, targeted engagements that demand quick reactions rather than extended planning.
To support sustained offensives, Invaders 95 provides power-ups and tactical enhancements that appear during stages. Collecting these items can improve the player’s weapons, increase rate of fire, or temporarily strengthen defensive capabilities. Some pickups emphasize mobility and control, allowing safer navigation through crowded bursts, while others focus on maximizing damage during high-density moments. A steady chain of accurate shots and timely pickups is rewarded by smoother clears and fewer emergencies during later waves.
The game’s visual style is built for the Windows era, using bold silhouettes, high-contrast colors, and a crisp, arcade-like HUD layer that keeps targeting and status information visible throughout play. Enemy formations are rendered with clean animation, and explosions use saturated bursts designed to stand out against the background grid and scanning effects. The overall look suggests a cyber-monitor interface: lines, panels, and glow effects reinforce the theme of battling through a living data network.
Audio accompanies the constant motion with energetic MIDI-based music tracks and punchy sound effects timed to weapon discharge, hits, and detonations. The mix is designed to stay readable during intense moments, with alerts and impacts cutting through the background score. The player experience emphasizes fast, repeated runs: reflex-driven survival, deliberate movement through bullet patterns, and clear goals for progression. High-score tracking provides an ongoing incentive to refine routes, prioritize targets efficiently, and manage power-ups for maximum effectiveness as difficulty rises.
Orbsters
Orbsters places players inside a series of self-contained arenas filled with floating platforms, hazards, and shifting gravitational obstacles. The objective centers on guiding a set of wandering “orbsters” through each stage toward goal points while managing their momentum and positioning. Levels progress from small, carefully constructed test chambers to larger layouts where multiple paths intersect and timing becomes important. Environmental dangers—such as crushing surfaces, energy barriers, and hostile zones—force constant adjustment rather than brute-force movement, keeping each run dependent on quick decisions.
Control is built around directing movement with responsive, arc-based navigation and clear feedback on trajectory. Players steer their orbsters across the arena while collisions and interactions with terrain alter their paths, requiring precise control to land on platforms, slip between obstacles, or redirect an orb back into a safer lane. Many stages incorporate moving geometry or rotating elements that continuously reshape accessible routes. Where static hazards would be simple to memorize, dynamic components demand active readjustment, making each attempt feel different even when the overall layout remains the same.
Mechanically, Orbsters emphasizes timing, physics-like rebound, and clean timing windows for passing through tight spaces. Completing challenges typically involves reaching designated areas with the correct orb count or collecting items that unlock progress. Obstacles may also serve as tools: players can bounce orbs off walls to build controlled arcs, use ledges as temporary stops, and take advantage of gravity shifts to traverse otherwise unreachable sections. As difficulty increases, stage layouts ask the player to plan for chain interactions, where one successful redirection can set up the next safe landing.
The visual style uses bright, geometric artwork with bold silhouettes and strong contrast against a darker arena background. Platforms, hazards, and goal markers are presented with readable shapes designed for fast comprehension during motion. Effects are kept direct and arcade-like, with clear hit flashes and short-lived visual cues when an orb collides, bounces, or enters a special zone. The overall presentation supports a fast learning curve while still giving enough detail to understand each stage’s layout at a glance.
Audio in Orbsters is built around lively MIDI-style music tracks and punchy sound effects timed to movement and contact. Collisions produce crisp impacts, while successful interactions—such as triggering a goal area or collecting an item—are marked by distinct tones. The combination of energetic background music and immediate audio feedback encourages sustained momentum, letting players remain focused on control and trajectory as the arenas escalate in complexity.
