Games developed by Sirius Software, Inc.
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Beany Bopper
Beany Boppers, released in 1982 for the Atari 2600, was a game that captured the hearts and imaginations of players of all ages. Developed by 20th Century Fox, this game was a unique platformer that offered players a challenging and entertaining experience.
Set in a whimsical world of floating islands, players take on the role of Beany, a bouncy and agile character who must navigate through various levels to rescue his girlfriend, Bubbles, who has been captured by the villainous Baron von Blubba. With simple yet addicting gameplay, players must use Beany's abilities to jump and avoid obstacles while collecting magic beans and power-ups to aid in their rescue mission.
One of the most striking features of Beany Boppers was its vibrant and colorful graphics. The game's designers paid great attention to detail, creating a visually stunning world that perfectly complemented the game's fun and playful tone. The graphics were ahead of their time, with intricately designed levels and characters that truly brought the game to life.
Another aspect that set Beany Boppers apart from other platformers of its time was its unique musical score. The theme music, composed by veteran composer Bill Conti, was catchy and upbeat, adding to the game's overall charm. The sound effects were also well done and added to the immersive experience of playing Beany Boppers.
The gameplay of Beany Boppers was both challenging and addictive, keeping players coming back for more. Each level presented its own set of obstacles and enemies, requiring players to think strategically and time their jumps carefully. The addition of power-ups, such as the super bounce and magic bean magnet, added an extra layer of excitement to the game, making the experience even more enjoyable.
One of the most impressive aspects of Beany Boppers was its replayability. The game offered multiple difficulty levels, providing a challenge to players of all skill levels. With a total of 25 levels, players could spend hours immersed in the game's world and still find new challenges and secrets to discover.
Both Barrels
One of the early pioneers in the world of gaming, Both Barrels was a revolutionary game released by Apple II in 1980. With its simplistic yet addicting gameplay, it quickly became a cult classic and left a lasting impact on the gaming industry.
Developed by John Palevich and published by Spectrum HoloByte, Both Barrels was a first-person shooter game set in the Old West. Players took on the role of a cowboy on a mission to defend their town from a series of bandit attacks. Armed with a trusty revolver in each hand, players had to work quickly and efficiently to defeat the outlaws before they could wreak havoc on the town.
What set Both Barrels apart from other games of its time was its innovative use of real-time 3D graphics. This was a groundbreaking feature that provided players with a realistic and immersive gaming experience. The graphics, while simple by today's standards, were considered top-of-the-line in the '80s and contributed greatly to the game's success.
The gameplay itself was fast-paced and challenging, keeping players on their toes at all times. Each level presented different scenarios and obstacles, requiring players to think on their feet and strategize accordingly. With limited ammunition and time, players had to make every shot count to successfully defend the town.
Another unique aspect of Both Barrels was its soundtrack. The game featured a western-inspired score that added to the overall atmosphere of the gameplay. It was composed by renowned musician Michael Hollick, who also worked on other popular Apple II games at the time.
Both Barrels received critical acclaim for its innovative graphics, challenging gameplay, and overall entertainment value. It was also praised for its impressive sales, making it one of Apple II's top-selling games. Its success even led to a sequel, Both Barrels II, which was released in 1981.
Despite its age, Both Barrels remains a prominent game in the history of gaming, with many fans still playing and reminiscing about it today. Its influence can also be seen in modern first-person shooter games, making it a true pioneer in the genre. Whether you're a veteran gamer or just discovering the world of retro gaming, Both Barrels is a must-play for any gaming enthusiast.
Call to Arms
Call to Arms emerges from a cluttered year in which computers were learning to breathe like strategic partners rather than mere calculators. This DOS release from 1982 invites players into a compact battlefield where fog of war and limited resources turn every decision into a test of nerves. It marketed itself as a disciplined exercise in logistics, with scenarios that forced careful planning over impulse. Its title promises martial urgency and a stubborn devotion to tactical patience for keen strategists.
The core loop centers on cautious movement, supply lines, and micro battles that accumulate into decisive outcomes. Players negotiate a grid of hexes or squares depending on the era of the port, guiding infantry, artillery, and skirmishers through tight corridors of realism. Orders arrive via terse prompts, demanding attention to terrain, line of sight, and retreat options. Victory hinges on avoiding overextension while exploiting the enemy's blind spots with well timed flanks and deft repositioning. The pace rewards patient calculation.
Graphical ambition runs alongside technical restraint, resulting in a utilitarian presentation that feels like a map etched on parchment rather than a glossy screen. Icons resemble crude silhouettes, colors fade into austere tones, and animation is a rare commodity reserved for dramatic moments. Sound is presence rather than music, a handful of beeps and a creak that signal combat, retreat, or catastrophe. The atmosphere relies on textual narration and shading to convey momentum, tension, and the gravity of strategic misjudgments.
Developers approached Call to Arms with a mindset borrowed from tabletop conflicts and board game prototyping. They coded tight routines that minimized flicker yet delivered crisp responses to player intent, a balancing act shaped by memory limits and processor speed. The 1982 release often shipped with a compact manual whose diagrams clarified terrain rules, supply chains, and victory conditions. Enthusiasts created fan patches and strategy notes, transforming the product into a shared apprenticeship where experimentation nourished improvement and curiosity flourished.
The memory of this title survives in antiquarian catalogs and retro gaming streams where curious players hunt a shared snapshot of early strategy. Its austere elegance teaches restraint, rewarding planning over impulse and turning every skirmish into a microcosm of warcraft. Though technology has moved on, the game remains a touchstone for designers who chase clarity under pressure. For collectors, it is a portal to a stubborn era when computers demanded respect and imagination carried the day for many.
Deadly Duck
In Deadly Duck the player controls the titular character who must shoot his beak bullets at crabs, falling bricks and dragonflies.
Each level starts with eight crabs. The crabs pick up bricks from the sides and try to drop them on the player-controlled duck. It is possible to shoot the crabs and the bricks as they fall, but if a brick falls on the duck, the duck dies. When a brick falls on an empty spot, it stays in the pond for a moment, preventing the duck from moving horizontally.
On levels two through four there are two, four and six dragonflies, respectively, which move together just below the crabs. The player receives ten points for shooting the dragonflies, but this makes them angry. When they get angry, they drop one, two or three bombs (depending on the level). If the duck is next to a bomb when it explodes, it dies. The game continues until the player runs out of ducks, which are the equivalent of lives in other games.
