Browse games starting with A
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A 320
I parked the car near the entrance to the airport terminal. The weather looks good. The flight is in a few hours, so there's time to prepare for take-off. .
In this game, you are a regular pilot of an Airbus 'A 320' and suddenly you are involved in a terrorist act of pirates. The plot is divided into three parts: two point-and-click adventure phases, one at the airport and one on a terrorist island, and a simple flight simulator phase in between.
The real-time adventure phase at the airport involves moving from one location to another, interacting with people and objects, and getting information about the different radio channels, frequencies, number of routes and takeoff times at each game location.
After sitting in the cockpit, the game starts the flight simulator. You must take off, activate the radio and receive the first radio transmission from the pirates, they will inform you of the action you must take or the airbus will explode. Finally they will guide your airbus with passengers to the pirates' island and you must land there.
In the real time adventure on the island, you must find the pirates' house, enter it and defeat the pirate mastermind with your weapon.
The game is played from a first-person perspective, in which the player moves the on-screen cursor to a specific location, picks up, uses and manipulates objects, and talks to the characters. The characters are originally real actors, but are slightly digitized, as are the environments in general. The game progresses in real time, and a special area of the screen shows the current position of the terrorist (parallel in time to himself), which cannot be seen until a certain point is reached.
The game is played by a single player and was originally created in French.
A Beanstalk Tale
A Beanstalk Tale arrived in the waning days of the Zune era, a scan of indie ambition blooming on a hardware ecosystem more famous for music playlists than platformers. Released in 2010, the game positioned itself as a lean, breezy vertical adventure inspired by nursery rhymes and the old school spirit of 2D platformers. Players followed a small climber who paired nimble movement with careful timing to ascend a magical beanstalk. The premise offered a quiet, childlike wonder, yet its level design rewarded observation, planning, and precise execution, echoing retro sensibilities while wearing a polished interface for Zune's touch controls.
Mechanically, A Beanstalk Tale fused simple jump-and-cling platforming with trickier timing puzzles. The climber's ascent relied on three core actions: grab, climb, and leap, each mapped to a direct touch input on the Zune. Branching platforms, gusts of wind, and rotatable vines forced players to pause, anticipate, and punch through sections with minimal retries. Collectibles, such as coffee beans or colored seeds, unlocked cosmetic props or shortcut routes. Hidden switches opened breezeways that skipped long wisps of vines, rewarding explorers who mapped the stalk's architecture. The game kept a forgiving checkpoint cadence without devaluing precision. Its pacing rewarded curiosity and practice.
Visually, A Beanstalk Tale embraced crisp vector shapes and a sun-washed palette that stood out against the Zune's dark hardware shell. Characters wore soft, rounded silhouettes, and the beanstalk itself shimmered with parallax parades that hinted at depth despite the game's flat engine. Sound design paired chimes with a light percussion loop, giving each ascent a gentle momentum rather than adrenaline-surge drama. The interface adhered to the Zune's navigation conventions, with clear radial menus and accessible pause options. On the hardware's 3.2-inch-ish canvas, the artefacts remained legible, references familiar to puzzle-platformers, while staying sufficiently distinct to feel contemporary for 2010.
Reception to A Beanstalk Tale was modest but fond, a case study in how a small studio could leverage Zune's unique audience. Critics praised its craftsmanship, the smooth control schema, and the way climbing sequences translated to portable play sessions. Some lamented its brevity and the platform’s limited distribution, yet many highlighted its charm as a relic of early mobile-era design—clean, approachable, and opinionated. As the Zune storefront faded and its successor ecosystems emerged, the game entered a quiet niche memory alongside other 2010s curiosity pieces. In retrospect, it embodies a transitional moment for downloadable games on closed devices Everywhere.
A Bee C's
A Bee C's, the 1983 Commodore 64 game, has achieved near-legendary status among 8-bit fans. The game was a product of the UK-based programmer Paul Kelly, who was also known for his software-based port of Elite for the C64.
The premise of A Bee C's was fairly simple but highly addictive: in each level, the player was presented with a large field of dots, and tasked with getting rid of them while avoiding enemy "bees". Using the joystick, players had to guide their bee, named "C" around the playing field in order to consume the dots - but they had to be careful, as each enemy bee could set off a chain reaction, and if the player touched them, it was an instant "game over".
Graphically A Bee C's was certainly not the most advanced C64 game, but its simple animation and use of color (most of the early levels used a white and yellow color scheme) gave the game a memorable look. The sound effects were also quite impressive, with a single buzzing sound corresponding to each enemy bee, and a high-pitched "crunch" sound for when the player collected a dot.
A major selling point for A Bee C's was its level structure; each level had different challenges, with the final goal being to complete a "Spin Deflection" in each scenario. This meant that the game had an unusually high level of replayability, while still keeping the player interested; every time they beat a level, they were presented with new puzzles and challenges to complete.
With its simple but challenging gameplay, memorable graphics, and replayability, it's no wonder that A Bee C's has become a classic 8-bit game. The game still has a dedicated fanbase, and it can be found on various websites, offering fans the opportunity to relive the thrill of collecting dots and avoiding enemy bees.
A Bloody Life
A Bloody Life, released in 1993 by Apogee Software, is a classic DOS game that has become a cult classic among gamers. It follows the story of a professional hitman named Max Payne, who is out to avenge the death of his family.
The game features a top-down, isometric perspective, with the main character walking through the game's world and shooting enemies with a variety of weapons. There are plenty of hidden items and secrets to find throughout the game, which adds to the challenge.
The graphics and sound of A Bloody Life are quite basic by today's standards, but they still manage to convey the atmosphere of the game. The game also features an interesting story line, with plenty of plot twists and turns.
The gameplay is quite challenging, and the levels can be quite difficult to complete. The game also features a multiplayer mode, with up to four players competing against each other. This adds an extra element of competition, and makes the game even more enjoyable.
Overall, A Bloody Life is a classic DOS game that still holds up today. It's fun, challenging, and has a great story. For anyone looking for an old-school shooter, this is definitely worth checking out.
A Blurred Line
A Blurred Line, released in 2001, is an intriguing addition to the realm of indie gaming, standing out for its unique approach to storytelling and gameplay mechanics. This title weaves a captivating narrative that blurs the lines between reality and illusion, inviting players to delve into an immersive world where their choices carry significant weight. Its art style, characterized by a whimsical yet melancholic aesthetic, transports players to environments that are both enchanting and haunting, setting the stage for a memorable gaming experience.
The gameplay mechanics of A Blurred Line present an innovative twist on traditional adventure gaming. Players embark on a journey through a series of beautifully crafted levels, each intricately designed to reflect various aspects of the human experience. Puzzles scattered throughout the game challenge players to think critically and strategically, pushing them to explore the deeper meanings behind their actions. The fluidity of movement and intuitive controls create a seamless experience, allowing for a worthwhile connection to the protagonist's emotional journey.
One of the most compelling aspects of A Blurred Line is its narrative depth. The plot unfolds through engaging dialogue and rich character development, allowing players to form genuine connections with the cast. The protagonist grapples with themes of identity and belonging, resonating with those who have experienced similar struggles in their own lives. This emotional resonance gives the game a sense of authenticity that many titles in the genre often lack, making each decision feel profoundly impactful.
The sound design and music further enhance the game's atmosphere, enveloping players in a hauntingly beautiful auditory landscape. Lush soundscapes combined with a poignant soundtrack amplify emotional moments, leaving a lasting impression long after the screen fades to black. This synergy between visuals and audio transforms gameplay into an artful experience, reinforcing the exploration of the game’s deeper messages about life and perception.
Despite its indie status and modest release, A Blurred Line has garnered a dedicated following. Gamers appreciate the thoughtful approach to storytelling and the artistry embedded within its design. Community discussions and fan art continue to celebrate its unique offerings, demonstrating the enduring impact of this hidden gem. As players reflect on their experiences, it becomes clear that A Blurred Line transcends mere entertainment; it sparks conversations about the choices we make and how they define our existence.
A Blurred Line stands as a testament to the power of video games as a medium for storytelling and emotional expression. Released in a time when indie games were beginning to carve out their niche, it remains a noteworthy example of innovation, creativity, and depth. Through its unique narrative, immersive gameplay, and stunning audio-visual presentation, it invites players to reflect on their own lives while navigating a beautifully rendered world of complexity and intrigue.
A bosszú
For those who lived through the golden era of gaming in the mid-1980s, A Bosszú is without a doubt a much beloved part of childhood memories. Developed in 1988 by Novotrade and published by Kingsoft, it arrived on the scene with a whirlwind of excitement as one of the first Hungarian-developed games released on the Commodore 64.
A Bosszú ( meaning vengeance in Hungarian ) offered its players an exciting and challenging side-scrolling adventure with a twist. Set in a far-off galaxy on the mysterious planet of Kraków, your mission is to protect the legacy of your dying father and save the endangered Kraków race from the Flawist Empire.
Dynamic and full of vivid colors, the 16-bit era game featured the hair-raising sound track movements and lots of neat tricks, such as when the character would move off the screen the background colors changes. It also boasted incredibly intricate hand-drawn backdrops. Every level experienced unique, limited movement with character physics that change depending on the terrain.
Armed with a basic one-handed weapon initially, your character can eventually upgrade to a two-handed version by collecting various power-ups and bonuses. With added attacking maneuvers, and the option to increase levels of difficulty—it was sure to keep dungeons-and-dragons aficionados happy.
Nothing beats the thrill of aiming for top score in A Bosszú. Dozens of deadly robots and interdimensional evil entities were in your way, coupled with other hidden bonuses such as the invincible shield. As you battle your way to the finish line, you must then face the supreme overlord— and hopefully save your father's legacy!
A Bosszú certainly has a solid footing in gaming history as one of the leading titles of its time. Even today it still stands the test of time, and is considered one of the gems of the platform. It's no surprise it's still receiving accolades, and is thriving in terms of its fan base too.
A Brief History of Time
In the brisk dawn of Windows multimedia in 1995, A Brief History of Time appeared like a bright beacon for curious players. The game blended scholarly curiosity with arcadelike pacing, inviting you to stroll through epochs rather than chase high scores. Its creators argued that time could be taught through puzzles, stories, and carefully chosen imagery, turning a dry syllabus into an experiential voyage. You navigate luminous timelines, encounter scientists, and watch ideas unfold as interactive vignettes. The interface favors clean typography, gentle parallax, and a minimalist color palette that keeps focus on ideas rather than spectacle for curious minds.
Gameplay unfolds as a sequence of rooms along historical corridors, each corridor presenting a different facet of time. Players piece together chronology by aligning clocks, calibrating calendars, and activating simulations that reveal causal links. The challenge sits in balancing curiosity with clarity; hints arrive in the form of historical anecdotes, diagrams, and occasional enigmas that demand patience rather than rapid reflexes. The soundscape, composed of warm synths and whispered narration, acts like a cognitive seasoning, nudging memory without shouting explanations. Not every segment lands perfectly, yet the overall tempo sustains wonder and invites repeated revisits long after the first encounter.
Visually the title wore a tempered, almost scholarly aesthetic. Pre-rendered tableaux mingled with vector overlays, producing crisp diagrams that aged gracefully on modest hardware. The 256 color palette, modest sprites, and scalable vector charts came together to form a compact but resonant look. Animations were deliberate, not flashy, emphasizing the gravity of ideas rather than spectacle. On machines of the era, loading times traded impatience for anticipation, giving players moments to contemplate what they had learned. The game shipped with a compact glossary and a modest encyclopedia, turning casual curiosity into a personal library you could carry forward through decades.
Decades later, the title remains a curious artifact of a moment when games promised education could delight. Critics praised its audacious scope, noting how it stitched physics, philosophy, and narrative into a single journey rather than a collection of trivia. Players recall lingering sections that reframed time as a shared human experiment, not an abstract variable. Though that work drifted from memory as technology leaped forward, its spirit survived in later simulations that teach by guiding exploration and rewarding curiosity. In retrospect, this work embodies the playful ideals of the century renaissance that still informs modern edutainment for future generations.
A Bug’s Life
A Bug's Life for the SEGA Pico, released in 1999, is a delightful and engaging multimedia experience that captures the essence of the beloved animated film. This interactive game is designed specifically for young children, making it an ideal platform for educational engagement through play. Inspired by the Pixar classic, it invites players to join Flik, a resourceful ant, on his quest to save his colony from the oppressive grasshoppers. The game stands out not only for its charming storyline but also for its innovative use of the Pico’s capabilities, mixing captivating visuals with interactive gameplay.
Unlike traditional video games that focus solely on competition, A Bug's Life integrates storytelling with a variety of mini-games that promote problem-solving and creativity. Players navigate vibrant environments, each meticulously crafted to reflect the rich aesthetics of the Pixar film. The immersive world encourages children to explore and learn as they control Flik, collecting items and solving puzzles alongside his diverse insect friends. This blend of narrative and interactivity keeps young minds engaged, fostering essential cognitive skills while also providing hours of entertainment.
The gameplay is complemented by the SEGA Pico’s unique drawing tablet and stylus, allowing kids to interact directly with the on-screen action. This hands-on approach creates a deeper connection to the game, as users can sketch, trace, and color elements that help Flik in his adventures. Such an interactive experience not only enhances fine motor skills but also stimulates creativity, making it more than just a simple game. Children are encouraged to express themselves in ways that extend beyond the typical gameplay mechanics found in conventional titles.
Furthermore, A Bug's Life serves as a delightful introduction to teamwork and friendship. As players progress through the story, they learn the importance of collaboration as they meet various characters who aid in Flik’s journey. The cooperative spirit embodied by the characters promotes social values, teaching young players that working together can lead to triumph over adversity. The game gently infuses morals into the experience, allowing parents and children to discuss values pertinent to real-life situations.
A Bun for Barney
CDTV's 1991 release A Bun for Barney stands as a curious relic from the early multimedia era, when households with a CD player could watch animated sequences and stumble into light interaction all in one package. Set within a cheerful retail of the Barney universe, the game attempts to stitch together kid friendly visuals, simple puzzles, and a narrative about baking a special bun for a friend. Its color scheme leans pastel and friendly, with chunky sprites dancing across a modest scrolling stage.
Gameplay centers on guiding Barney through a handful of micro worlds in search of ingredients. The player uses a single joystick and a button to pick up objects, push crates, and trigger doors. The aim is to assemble flour, sugar, eggs, and other pantry staples, solving mini puzzles to unlock ovens, mixing bowls, and timers. Level design emphasizes gentle exploration over risk, echoing the show's calm tempo and moral emphasis on sharing and cooperation. Always.
On the audio side, the cartridge sized CD-ROM allows more robust tunes than typical cartridge games of the era. A light, catchy chiptune score threads through each stage, punctuated by friendly chirps and spoken lines that reinforce a positive mood. Visuals lean on clean line art and bright palettes, with Barney’s character model rendered in soft curves that invite touch. Floating text boxes provide brief guidance, creating a hands on feel without overwhelming young players.
From a hardware perspective, the CDTV adaptation spends modest budgets on art assets, relying on compressed animations and looping backgrounds. Critics at the time would note it is a sweet license piece rather than a deep adventure, yet collectors praise its audacity to bring a licensed children's figure into a home console format. The presence of a recognizable mascot helped the title stand out in catalogs crowded with arcade ports and educational titles.
In this sense, the game functions as a snapshot of 1991's licensed interactive design, where toy like characters crossed into living rooms through modest hardware. A Bun for Barney demonstrates how developers experimented with pacing and warm visuals inside a compact cartridge based game. For fans and connoisseurs of CDTV history, it signals a moment when learning friendly play and televised brands met a ready but eager audience, even if the format limited its long term potential. Retro collectors still chase every released screenshot, hoping to glimpse the odd charm buried deep under nostalgia.
