Games published by Crystal Dynamics, Inc.
Select a publisher to browse its games.
We provide a complete list of games published by this publisher.
Blazing Dragons
Blazing Dragons, released in 1996, is a SEGA Saturn game that takes players on a hilarious adventure through the world of Camelhot. Developed by Crystal Dynamics, this unique game combines elements of comedy, puzzle-solving, and action to create a one-of-a-kind gaming experience.
The game follows the story of Flicker, a young dragon who dreams of becoming a knight and rescuing princesses. However, in the land of Camelhot, dragons are deemed inferior and relegated to menial tasks. Flicker teams up with his friends, the intellectual Flame and the strong-willed Princess Flame, as they try to prove themselves by participating in the tournament to become the next knight of Camelhot.
One of the most interesting aspects of Blazing Dragons is its clever use of satire and parody. The game pokes fun at traditional medieval stories and fairytales, with witty and often self-aware humor. From the jabs at the chivalrous knights to the absurdities of dragons living in castles and playing golf, the game's writing is a delight to experience.
In terms of gameplay, Blazing Dragons offers an eclectic mix of genres. Players will find themselves racing dragons, solving puzzles, competing in tournaments, and even playing mini-games that range from cooking competitions to fire-breathing challenges. Each level is unique and presents a new set of challenges, keeping the gameplay fresh and engaging.
The graphics and sound of Blazing Dragons are also top-notch for its time. The hand-drawn animations are vibrant and eye-catching, and the voice acting, including the iconic voice of Monty Python's Terry Jones as the narrator, brings the characters to life. The game also features a fantastic soundtrack, composed by the legendary composer Richard Band, known for his work on popular horror films.
While Blazing Dragons had its fair share of positive reviews, it unfortunately did not achieve the same level of success as other SEGA Saturn titles. However, for those who did get their hands on this gem, it remains a nostalgic and beloved game. It is a testament to the creativity and innovation of the developers at Crystal Dynamics and showcases the potential of the SEGA Saturn as a gaming console.
Pandemonium!
Pandemonium! is a classic 3D platformer game that was released for Windows in 1997. Developed by Crystal Dynamics and published by Eidos Interactive, this game quickly became a fan favorite among PC gamers. With its colorful graphics, catchy soundtrack, and entertaining gameplay, it's no wonder why Pandemonium! has stood the test of time and is still beloved by many today.
The game follows the adventures of two protagonists, a jester named Fargus and a sorceress named Nikki, who are on a quest to retrieve a powerful magical book that mistakenly falls into the hands of an evil magician. The players must navigate through a series of levels filled with obstacles, enemies, and puzzles in order to reach the final showdown with the magician and save the day.
One of the standout features of Pandemonium! is its vibrant and whimsical graphics. The game takes place in a fantasy world filled with colorful landscapes, imaginative creatures, and fantastical environments. Each level is uniquely designed and offers a visually stunning experience for players. The graphics were considered top-notch for its time and still hold up well even by today's standards.
In addition to its graphics, the game's soundtrack is also a major selling point. Composed by the talented musician, Richard M. Jacques, the music in Pandemonium! perfectly complements the game's whimsical atmosphere. Each level has its own unique soundtrack that sets the mood and adds to the overall immersive experience of the game.
But what truly sets Pandemonium! apart from other 3D platformers is its gameplay. The game offers a unique blend of platforming, puzzle-solving, and combat elements. Players must use their wit and skills to navigate through obstacles and defeat enemies while also collecting power-ups and bonuses along the way. There are also different difficulty levels, making the game accessible for players of all skill levels.
Pandemonium! was also praised for its replay value. Despite its linear structure, the game offers multiple endings based on the player's performance and the choices they make throughout the game. This adds an extra layer of challenge and encourages players to revisit the game multiple times to see all the possible outcomes.
The Horde
In 1994, The Horde arrived on DOS as a grim fantasy action game that felt both punishing and strangely addictive. Instead of pacing itself like a movie, it throws you into corridors and rooms where panic is contagious. The premise is simple: a relentless swell of creatures pours into your domain, and survival depends on quick aim, smart movement, and careful resource management. Even before the first wave, the atmosphere signals danger through dim lighting, cramped navigation, and a constant sense of being watched at once.
Combat mixes melee hacking with firearms and throwable items, letting you tailor encounters to enemy temperament. Close quarters reward patience: edge around corners to thin the pack, then punish stragglers before they regroup. At medium range, spread out damage matters because health dwindles fast, and ammunition rarely arrives in generous piles. The game also encourages experimentation with armor pieces and bonuses, since every level modifies the pressure you feel. When you land upgrades, fights transform from survival chores into tactical problems.
Exploration is less about wandering and more about planning routes. Rooms connect like a maze, with doors that open only when you clear threats, forcing repeated sweeps. Objectives usually revolve around reaching specific areas, retrieving items, or surviving timed assaults, and the interface makes these tasks feel blunt rather than dramatic. Enemies behave in recognizable patterns, yet they also cheat the player through flanking runs and sudden bursts of speed. Sound design helps you anticipate trouble; footsteps and growls arrive early, long before the monsters fill your screen.
Graphically, it leans on sprite-based 2.5D visuals typical of its era, but it uses texture-like shading to keep surfaces readable in the chaos. Lighting flickers during hectic sequences, and animation of claws, tongues, and armor plates gives the monsters a grotesque personality. The frame rate stays consistent on ordinary DOS hardware, assuming the system is tuned and sound options are not extravagant. Headphones make a difference, because the stereo cues help track distant hazards that would otherwise appear suddenly.
Though it never chased trends, it won a niche reputation for grit. Players recall the moment the room’s last enemy collapses and the next door clicks open, a payoff earned by counting ammo. Nowadays, DOSBox makes it approachable, and the challenge feels sharper rather than outdated. Its tension, variety, and nonstop pressure still resonate with fans of tough early shooters who like their combat brutally direct.
