Games published by MicroMouse Co., Ltd.
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We provide a complete list of games published by this publisher.
Bolo
Bolo, released in 1995, is a top-down tank battle game that captured the hearts of many DOS gamers. Its simplistic graphics and addictive gameplay made it a fan favorite, and its legacy can still be seen among modern tank games.
The game takes place in a futuristic world where players control a tank, also known as a "Bolo," and battle against other Bolos and enemy bases. The objective is to strategically maneuver through the map, destroying enemy units and capturing control points to gain resources and strengthen your army. Players can choose from various game modes, including single-player campaigns, multiplayer modes, and even a level editor to create custom maps.
One of the unique aspects of Bolo is its physics-based gameplay. Tanks move and collide realistically, adding an extra layer of difficulty to the game. Players must carefully plan their movements and aim their shots to outsmart their opponents. This aspect of the game received high praise from critics, with many citing it as a key factor in the game's addictive and challenging nature.
Aside from its gameplay, Bolo also offered a vast array of customizable options. Players could choose from different tank types, weapons, and upgrades, allowing for a personalized playstyle. The game also featured a multiplayer mode, where players could compete with up to eight players in a LAN or modem connection. This mode was highly popular among gamers, adding to the game's replayability value.
When it was released, Bolo received critical acclaim and was praised for its simplistic yet engaging gameplay. It was also recognized for its smooth graphics and intuitive controls. Despite its initial success, the game failed to capture mainstream attention due to the increasing popularity of 3D graphics at the time. However, Bolo's dedicated fan base kept the game alive, with online communities and custom map downloads extending its lifespan.
Today, Bolo is considered a cult classic among DOS gamers and is widely regarded as one of the best tank battle games of its time. Its legacy can be seen among modern games, with some even adopting similar gameplay mechanics. The game still holds up as a fun and challenging experience for players of all ages, reminding us of the golden age of DOS gaming.
Postal
Postal, released in 1997 for Windows, is a top‑down action shooter from Running With Scissors. Players assume the persona of the Postal Dude as he traverses a nameless American town, moving from district to district to undertake tasks that steadily spawn confrontations with armed adversaries. The game presents violence in a stark, unvarnished fashion, delivering a direct, mission‑driven path through the city’s streets and interiors. Each level functions as a compact arena where quick reflexes and resource management determine progression.
Gameplay and mechanics center on keyboard‑driven movement with aiming and firing controlled by the mouse. The Postal Dude confronts a variety of opponents across outdoor streets, malls, and interior offices, using a broad arsenal of firearms and improvised weapons. Players pick up pistols, shotguns, rifles, and explosive devices, while ammo and health items are scattered through the maps. Weapons can be switched on the fly, reloads are automatic or manual depending on the arm, and encounters unfold in real‑time with immediate combat feedback. Exploration and route choice influence how safely a player can advance through each zone.
The visual presentation relies on a 2D top‑down perspective with sprite‑based graphics. Environments are rendered in a gritty, utilitarian palette that emphasizes urban decay and claustrophobic interiors. Map layouts combine open street scenes with tight hallways, storefronts, and stairwells, promoting both flanking maneuvers and direct confrontations. The art style favors functional clarity over cinematic fidelity, with silhouettes and color contrasts designed to keep threats readable at a glance. Explosive effects and muzzle flashes punctuate gunfights, reinforcing the arcade sensibility of the playfield.
Audio design supports the brisk tempo of play through crisp weapon sounds, impact effects, and ambient city noise. The soundscape is complemented by a sparse soundtrack that underscores tension without overpowering action. Voice work is minimal, allowing environmental cues and combat noises to drive the sense of place. The overall audio closely tracks the on‑screen activity, providing immediate feedback for movement, shooting, and weapon switching, while reinforcing the urban setting of a town in constant state of alert.
The player experience is characterized by rapid, compact sessions that reward decisive engagement and quick adaptation. Levels are structured to challenge spatial awareness, crowd control, and resource management as enemies and threats intensify. The top‑down perspective affords a tactical overview, enabling players to plan routes, identify choke points, and execute precise sequences of shots and movements. Postal delivers a direct arcade‑style shooter experience with a darkly satirical edge, placing the player in constant motion and requiring sharp reflexes to advance through the city.
