Games developed by Entrex Software Inc.
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Civil War II: Unconditional Surrender
Released in 1997 for Windows, Civil War II Unconditional Surrender arrived at a moment when strategy games were moving from crude demos toward stubborn depth. On screen a tiled continental map unfolded, showing churned fields, rail lines, and fortifications that invited patient planning rather than flashy gambits. Its title promised a speculative clash that would rend the Republic anew, weaving politics and battlefield nerve into one long campaign. Designers emphasized authenticity by tracing troop movements through historically inspired corridors, even as their fiction allowed startling reversals. Players picked a side and prepared for a slow burn of decisions and consequences.
Core gameplay combined a turn based strategic layer with tactical battles that appeared as brief skirmish maps. Supply lines mattered more than crowd numbers, and rivers or mountain ranges could decide fortunes with a single misstep. Commanders carried morale, fatigue, and temperament into engagements, providing flavor beyond raw numbers. The campaign spanned multiple theaters, letting players juggle political pressure at home while dragging reinforcements across railheads. Technology improvements unlocked in each phase rewarded patient play, and the victory conditions insisted on balance between battlefield success and diplomatic concessions. The result felt vast, almost cinematic, yet stubbornly grounded in constraints everywhere.
Visually the game wore a modest veneer, trading flash for clarity. Sprites were legible, colors restrained, and the interface rewarded methodical planning over quick reflexes. A clean map mode let students of military geometry trace supply lines, while a zoomed view revealed unit iconography and terrain modifiers. Audio relied on period suited tunes and subtle effects that reinforced the sense of weight behind every crossing of the map. A rudimentary editor invited tinkering, letting fans craft scenarios with altered loyalties or altered weather. Modest patch updates pushed balance tweaks, preserving a fragile equilibrium between variety and stability in the community.
Critics at launch praised unhurried ambition yet noted rough edges that clung to the period. The AI sometimes favored grinding attrition over clever maneuver, and the learning curve could feel steep for newcomers drawn by the title alone. Still the game carved a niche by rewarding patience and improvisation, inviting players to rewrite history within carefully guarded rules. Collectors cherish the disc not just for nostalgia but for a window into retro game design where data tables held sway over spectacle. Today Civil War II: Unconditional Surrender remains a curious cornerstone for enthusiasts of retro modeling and strategic storytelling everywhere.
Discover the World II
Discover the World II is an edutainment title that lets you assume the role of a sailor in the Age of Exploration, including such famous names as Sir Francis Drake. You start in Lisbon (Portugal) and sail from there with the mission to cross the world, trade with foreigners, search for food and defend yourself from pirates. The game offers you a wide variety of missions, often with a mission to obtain some exotic trade commodity or to sink an evil pirate's ship.
The main interface is a world map, which allows you to steer your ship anywhere on the globe. However, as you sail, your sailors consume food and will get scurvy if you don't have enough fruits and vegetables. As you travel the globe, you can hunt for food or trade with the people and obtain native crafts that will sell well back in Lisbon. Also, if your ship is overloaded, you can bury treasure and other things anywhere on the globe for future retrieval.
Entrex Home Education CD Library Volume 1
Entrex Home Education CD Library Volume 1 burst into computer rooms in 1996 as a prototype of home learning scaled for Windows platforms. Its creators packaged a kaleidoscope of lessons inside a cheerful disc that promised independence for curious minds and reassurance for parents. The program built a friendly bridge between playful exploration and formal study, offering bite sized challenges, animated demonstrations, and narrations that invited steady attention. Users navigated a modular library where geography, arithmetic, language arts, and science could be pursued in a non linear rhythm. The release time stamps a milestone in the quiet revolution of the CD ROM era education tailored for everyday curiosity.
In its design philosophy the title treats learning as a treasure hunt rather than a dry syllabus. It couples quick assessment with immediate feedback through simple scoring, encouraging repeated attempts without fear of penalty. Each subject module uses a mix of visuals, short text blocks, and audio cues to sustain attention, while interactive puzzles encourage deduction over rote memorization. Geography lessons invite learners to trace river networks and identify landmarks, while arithmetic drills mix pattern recognition with practical word problems. Language arts tasks emphasize spelling and comprehension through mini games, and science sections demonstrate basic experiments that can be imagined with household materials rather than requiring lab gear.
The interface mirrors mid century educational software with large icons, bold colors, and a forgiving cursor. It installs on machines running Windows 95 or later and benefits from a sound card and a CD reader, yet it remains usable on more modest hardware by streaming content sparingly. Navigation favors a library shelf metaphor, each volume landing as a clickable spine on a polished wooden backdrop. Students can bookmark progress, jump between modules, or replay segments to reinforce memory. The program also anticipates parental involvement by including progress summaries and activity suggestions that translate screen activity into real world tasks.
Ecological footprint of Entrex Home Education CD Library Volume 1 lives in its optimistic assumption that learning defies boredom when wrapped in gentle curiosity. For many families it was a gateway to independent study, a portable tutor that someone could share with siblings or revisit alone during rainy weekends. As a historical artifact it reflects the exuberant experimentation of 1990s edutainment, balancing information density with play. Its influence shows up later in multimedia libraries that aimed to blend reference with interactive engagement across multiple subjects.
In the Days of Knights & Kings
In the Days of Knights and Kings is an interesting strategy game that describes the events leading up to the famous battle of Hastings in 1066 AD, in which William of Normandy was crowned king of England.
The game puts you in the role of advisor to Harold, the reigning monarch, and the computer plays William. In a nice twist on the conventions of turn-based games, the victory conditions for both sides are different: you win if you accumulate 60 points or kill William. You earn points by conquering cities and collecting taxes from them. William, on the other hand, will win if he manages to be crowned (to do so, he must get 30 points, reach London and kill Harold).
Another interesting element of the game is that you must answer one or more multiple choice questions at the beginning of each turn. These questions concern facts about the Middle Ages (e.g., 'which of the following people was heir to the throne of Stephen of England?'). Incorrect answers result in the loss of the ability to move during the turn. In addition to Risk-style play, in which you move units to conquer various cities across the map, you can use spies and move Harold around the country to attract militia (though only if the city he visits supports him).
The game, though primitive, is quite fun and polished: there are complete rules, tips and even a nice glossary.
Pollution Control
Pollution Control, released in 1989 for the Apple II, is a noteworthy title that aimed to shed light on environmental issues while providing engaging gameplay. Developed by a small team at a time when the gaming industry was evolving rapidly, this game melded educational content with interactive entertainment. As players navigated through diverse landscapes, they were tasked with combating pollution in various forms. The developers ingeniously crafted a narrative that emphasized the importance of environmental stewardship, all while immersing players in a vivid simulation.
The gameplay of Pollution Control is both intriguing and multifaceted. Players take on the role of an environmental agent, responsible for cleaning up litter and mitigating the effects of industrial waste. The game features various levels, each illustrating different ecological challenges, from urban areas plagued by trash to rural settings affected by agricultural runoff. The mechanics encourage strategic thinking, as players must prioritize tasks based on urgency and potential impact. This design not only keeps players engaged but also fosters a broader awareness of ecological responsibility.
Graphically, Pollution Control reflects the aesthetics typical of late-1980s Apple II titles. While the visuals may not rival contemporary gaming experiences, they possess a certain charm. Basic yet colorful graphics serve the purpose of conveying essential information while providing a captivating experience. The simplistic design helps players focus on the game’s core message rather than becoming distracted by flashy visuals. The music complements the gameplay, providing a fitting backdrop that enhances immersion without being overly intrusive.
While often overshadowed by more prominent titles from its era, Pollution Control holds a unique position in the gaming landscape. Its focus on environmental issues was ahead of its time, demonstrating that video games could serve as vehicles for social change. Players not only enjoyed their gaming experience but also left with valuable insights into the importance of caring for our planet. This fusion of learning and play resonates even today in discussions about the role of gaming in educating future generations.
In retrospect, Pollution Control stands out as a creative endeavor that captured the spirit of an evolving industry while advocating for a critical cause. It serves as a reminder that video games can play an integral role in raising awareness about real-world issues, all while providing entertainment. The legacy of Pollution Control continues to inspire both developers and players, emphasizing the potential for gaming to educate and engage on pressing global challenges. Ultimately, this title may not have achieved commercial success, but its message remains relevant, echoing through the corridors of time as a testament to the power of interactive media.
Wild West Encyclopedia
In 1997 a curious Windows title called Wild West Encyclopedia appeared from nowhere and quietly found a peculiar niche among educational adventures. The game promised more than simple shooting gallery thrills, presenting instead a sprawling reference experience set on the American plains. Players wandered dusty towns, opened compact encyclopedic entries, and stitched together a panorama of frontier life through text, illustrations, and practical puzzles. Its ambition was to teach geography, law, and local color without dull lectures, weaving curiosity into exploration. The packaging hinted at Windows compatibility, CD ROM richness, and a devotion to period detail that felt tactile inside.
The core loop blended exploration with bite sized challenges. Players accessed a sprawling digital encyclopedia by clicking roughly drawn icons that resembled index cards; each entry unlocked related topics through cross references and map pins. Puzzles demanded careful reading, diagnosis of historical prompts, and occasional pattern recognition rather than reflex. A tidy inventory offered era appropriate relics that could be presented to non player characters for hints. Dialogue trees balanced lore with humor, avoiding heavy handed exposition. The art direction leaned toward wood toned textures, sepia palettes, and schematic diagrams that made information feel earned rather than dumped on players.
The literature within the game worked like a curated atlas. Entries mixed dry facts with anecdotes, giving readers a sense of rumor and ordinary life on the prairie. Illustrations combined lithographic charm with early digital rendering, yielding scenes of saloons, telegraph offices, and dusty railheads that still feel tactile when revisited today. Several chapters surveyed everyday professions, from cowhands to sutlers, while others teased myths about famous outlaws without endorsing them. The tone aimed respectful impartiality, inviting curiosity while underscoring the fragility of memory. In practice the encyclopedia became a companion guiding players through evolving regional narratives and quiet histories.
Reception to Wild West Encyclopedia was modest and respectful, a rarity in a market obsessed with explosions and speed. Critics praised its restraint, its willingness to reward patient curiosity, and its stubborn refusal to condescend to players seeking knowledge. Some readers found the pacing deliberate and the interface somewhat idiosyncratic, yet many appreciated the cumulative sense of place the program fostered. Over time the title slipped into memory as a curious artifact of edutainment design, then resurfaced in retro forums as proof that serious content could wear a playful disguise. Today collectors chase copies and nostalgic anecdotes about the era.
